b"resultseachtimeinthecompleteobliterationofearlierimages.Thereisaveryrealsensethataworkisonlyfinished 3whenitleavestheartistsstudio.Attimesthetextualcontentofworksconsistsofmoreorlessfluidnarative,asinTheFalconWilNeverLearnmySecretIdentity,2004(p.11),whichreadslikelinesfromadetectivedimenovel.Thesenseofastreamofconscious-nessunfoldingisstrong,withtextmeanderingindenseblocksacrossthewholesurface,punctuatedbyilustrationsandlitlearowsthatseeminglyassistthereaderwithdirections.Butitisstileasytogetlost.Itisclearthatdiferentpartsofthetextwerewritenatdiferenttimes,whichremindsviewersofSarkinshabitofreturningcontinualytoworksandenactingaprocessoflayeringthatenrichesandcomplicatesthedevelopingtextandchalengesteleology.Inotherworks,suchasSnowWolf,2020(p.15)thesenseofcoherentnarativeisdisruptedbyoverlaidnonsecateurs.Inthisway,visualandtextualreferences(andotherlikelyreferences)tothecentralstoryofagirlturnedintoawolfareoverlaidwithtextualimperatives,suchas'Phonehome,Rob[er]tRauschenberg'."